The Short Bio
Windy Chien makes art that activates space and elevates the vernacular. She is best known for her 2016 work, The Year Of Knots, in which she learned a new knot every day for a year. Her work ranges in size from a knot that can fit in the palm of a child's hand to majestic, room-sized installations that are sought after by private collectors. Following long careers at Apple and in the music industry, she launched her studio in 2015. Her work has been covered by Wired, The New York Times and Martha Stewart. In 2017, Facebook acquired an edition of The Year of Knots. Windy’s book about her work will be published by Abrams in 2019.
I’m a Chinese-American woman who grew up a US Army ‘brat’ and lived all over the country, including a decade in Hawaii. Due to my ethnicity, love of fringe culture such as punk rock, and uncommonly audacious attitude towards life, I’ve always felt like an outsider. Indeed, I’ve embraced outsider status as a means to self-define, rather than let the world tell me who to be.
I owned an independent San Francisco record shop (Aquarius Records) for 14 years, building community and evangelizing the music I loved. My music knowledge is encyclopedic and infectious -- I can easily sell your grandmother a heavy metal record. Then, I spent many happy years at Apple, where I joined a fledgling iTunes and shepherded it through the ensuing eight years of explosive growth as iTunes product manager, producer, and curator, and then App Store managing editor. My passion is firmly focused at the intersection of art, design and tech. In addition to full-time art making, I consult for iOS app developers and consider virtual reality and video games to be two of the most exciting art forms of the moment.
I’ve cycled across Southeast Asia (twice), toured with Lollapalooza, presented my undergraduate thesis film at Sundance, am a certified yoga instructor, and teach classes in wood spoon carving. I rescue greyhounds.