I’m best known for The Year of Knots (2016), in which I learned a new knot every day for a year. My work ranges in size from a knot that can fit in the palm of a child's hand to room-sized installations that are sought after by private collectors.
Drawing from The Year of Knots as my ongoing palette, each of my current bodies of work explores a single, exquisite knot in search of its ultimate expressive potential. The finished works are minimalist rope sculptures that utilize pattern, repetition, and monumental scale.